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Third world cinema essay

The ranks of Third World cinema are mainly comprised of former colonies of 19th century European empires. As these nations emerge from centuries of underdevelopment, social, cultural and intellectual repression, their struggle for national and individual identity, as well as for economic self-sufficiency, has produced exciting cinematic impulses. In fact, one of the most important historical developments since the seventies has been the emergence of Third World cinema, often referred to as "Third Cinema" Willemen, Third Cinema, The Third Cinema Question: Notes and Reflections 5. Despite ethnic and political diversity, Third Cinema films from different regions have many common characteristics identifying them as part of a cohesive international movement. From Latin America to Africa, the universality of Third Cinema is not confined by language or geographical barriers Willemen 8. Unlike Western Cinema which represents a pas des twoi of art, entertainment, and commerce with particular emphasis on commerce and entertainment , Third Cinema filmmakers constantly struggling to prevent Hollywood from overwhelming their local film industries, see the filmic medium as primarily mass persuasion, cultural consolidation, and consciousness-raising.
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Art In Third Cinema

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The Third Cinema Essay Example | Topics and Well Written Essays - words

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What are those dominant values? Third Cinema, instead, concerns itself with the various stages of asserting national identity and celebrating individuality. Third Cinema tends to be either identified with stylistic features and narrative conventions - or barely disguised sociological analysis where actual events or conditions are read off the surface of the text Chakravarty 6. In most cases, the early histories of these emerging nations saw savage wars for independence. Thus, directors of the initial films concern themselves with depicting that struggle.
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This piece looks at how Third Cinema purposefully deviated from traditional Hollywood norms so as to found a new type of cinema that could serve the people, by being in the hands of the people. The Hour of the Furnaces , an actively revolutionary film made by Getino and Solanas before they wrote their formative essay, first debuted internationally at the Pesaro Festival in Italy in the June of , Mestman, and was one of the cornerstones in the process of forming the concept of Third Cinema. Getino and Solanas wanted to create a piece of cinema that actively moved directly away from escapism and entertainment, and instead highlighted the plight of those oppressed in their home country of Argentina. To do this, they decided that this film would have to be totally resistant to assimilation by the bourgeois system, by making sure that it not only had nothing to offer the system, but that it was also directly setting out to fight this perceived system. In showing these real scenes, the film wants to put across its beliefs of inequality, and engage its intended audience — i.
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